5 items on »Pony & Kleid« tagged with
»photo«
Photo: Melvin Sokolsky

Though he is best known for his editorial fashion photographs for publications such as Harpers Bazaar (for which he produced, in 1963, the "Bubble" series of photographs depicting fashion models "floating" in giant clear plastic bubbles suspended in midair above the River Seine in Paris), Vogue, and The New York Times, Sokolsky's work is not limited to that field.

http://www.sokolsky.com/
http://photography.about.com
Photo: Thierry Le Gouès
Thierry Le Gouès was born in Brest (France) in 1964. He began his career of photographer of mode in 1986 with Condé Nast Italy: Sail and Uomo Vogue, and continued its collaboration with magazines as prestigious as International Glamour, Vogue Men, Vogue, Condé nast Italy, Lei, Per Him, Arena, I.D, The Face, Harper’s Bazaar, Allure, Interview, French Revue. Thierry Goues is one of the founders of the magazine: “French - Re-examined Modes” Thierry is also the author of international advertising campaigns: Replay, Nike, Levi’s, Boucheron, Hermès, Lavazza, Spring, Yves Saint Laurent, Paco Rabanne, Pascale Browned, Swatch, Moschino.
He currently resides in Paris and New York. His most recent campaign for Nike that features Olympic athletes and can be seen absolutely everywhere.
French #8: Fashion Fever
Ed.: Cosmo Pop


French #9: Dresses to the 9
Ed.: Heart of Stones



http://www.frenchrevue.com/
http://www.thierrylegoues.com/
He currently resides in Paris and New York. His most recent campaign for Nike that features Olympic athletes and can be seen absolutely everywhere.
French #8: Fashion Fever
Ed.: Cosmo Pop


French #9: Dresses to the 9
Ed.: Heart of Stones



http://www.frenchrevue.com/
http://www.thierrylegoues.com/
Photo: Guy Bourdin

Französicher Fotograf. 1928 - 1991
In den 70er Jahren brach der Franzose Guy Bourdin mit allen Konventionen der Mode- und Werbefotografie. Das Ergebnis: eine Welt zwischen Glamour, Glanz und Gefahr. Er ist auch als "Revolutionär" der Modefotografie bekannt.

Als erster Fotograf habe Bourdin in den 70er Jahren mit dem Realismus á la "Mannequin vor Eiffelturm" gebrochen. Mit Man Ray als prominentem Fürsprecher habe er stattdessen den Surrealismus in die Werbefotografie gebracht.

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